 | 3.1. Paul Jouve, plate
depicting the rock-python Kaa, engraved by François Louis Schmied
and printed by Pierre Bouchet, in Rudyard Kipling, Le livre de la
jungle (Paris: Société du Livre Contemporain, 1919),
between pp. 28 and 29. Reproduced by permission of The Pierpont Morgan
Library, New York, Bequest of Gordon N. Ray, 1987. |
 | 3.2. Paul Jouve, plate
depicting the elephant Toomai, engraved by François Louis Schmied and
printed by Pierre Bouchet, in Rudyard Kipling, Le livre de la
jungle (Paris: Société du Livre Contemporain, 1919), p. 133.
Reproduced by permission of The Pierpont Morgan Library, New York,
Bequest of Gordon N. Ray, 1987. |
 | 3.3. Paul Jouve,
vignette of landscape, engraved by François Louis Schmied and printed
by Pierre Bouchet, in Rudyard Kipling, Le livre de la jungle
(Paris: Société du Livre Contemporain, 1919), p. 75. Reproduced
by permission of The Pierpont Morgan Library, New York, Bequest of
Gordon N. Ray, 1987. |
 | 3.4. Paul Jouve, double
plate depicting Kaa's defiance of the monkeys, engraved by Camille
Beltrand and printed by Pierre Bouchet, in Rudyard Kipling, La chasse
de Kaa (Paris: Javal & Bourdeaux, 1930), pp. 98-99. Reproduced by
permission of The Pierpont Morgan Library, New York, Bequest of Gordon
N. Ray, 1987. |
 | 3.5. Pierre Bouchet,
typography of opening page of Rudyard Kipling, La chasse de Kaa
(Paris: Javal & Bourdeaux, 1930). Reproduced by permission of The
Pierpont Morgan Library, New York, Bequest of Gordon N. Ray, 1987.
|
 | 3.6. Jean Goulden,
"Athos: le monastère de Valopédie," engraved and printed
by François Louis Schmied, in Goulden's Selonique, le
Macédoine, l'Athos (Paris: Chez les Auteurs, 1922).
Reproduced from the original in the Beinecke Rare Book and Manuscript
Library, Yale University. |
 | 3.7. Jean Berque, plate
depicting the tree of life, engraved and printed by François Louis
Schmied, in Rabindranath Tagore, L'Offrande lyrique, translated
by André Gide (Paris: Schmied, 1925), frontispiece. Reproduced by
permission of The Pierpont Morgan Library, New York, Bequest of Gordon
N. Ray, 1987. |
 | 3.8. François
Louis Schmied, plate showing strips of patterns evocative of North
Africa, in Gustave Flaubert, Salammbô (Paris: Le Livre,
1923), frontispiece. Reproduced from the original in the Beinecke Rare
Book and Manuscript Library, Yale University. |
 | 3.9. François
Louis Schmied, vignette depicting Venetian women at mass, as headpiece
for "La messe de l'aurore à Venise," in Anna Elisabeth de
Brancovan, comtesse de Noailles, Les climats (Paris:
Société du Livre Contemporain, 1924), p. 66. Reproduced
from the original in the Beinecke Rare Book and Manuscript Library, Yale
University. |
 | 3.10. Maurice Denis,
plate depicting a Sicilian scene, engraved by Camille Beltrand, in
Denis's Carnets de voyage en Italie (Paris: Jacques Beltrand,
1925), opening plate. Reproduced by permission of The Pierpont Morgan
Library, New York, Bequest of Gordon N. Ray, 1987. |
 | 3.11. François
Louis Schmied, special printing of vignette depicting ponds at evening,
for Anna Elisabeth de Brancovan, comtesse de Noailles, Les
climats (Paris: Société du Livre Contemporain, 1924).
Reproduced from the original in the Beinecke Rare Book and Manuscript
Library, Yale University. |
 | 3.12. François
Louis Schmied, vignette depicting ponds at evening, as headpiece for
"Les soirs du monde," in Anna Elisabeth de Brancovan, comtesse de
Noailles, Les climats (Paris: Société du Livre
Contemporain, 1924), p. 6. Reproduced from the original in the Beinecke
Rare Book and Manuscript Library, Yale University. |
 | 3.13. François Louis Schmied, page of text with
large V, in Alfred de Vigny, Daphné (Paris: Schmied,
1924). |
 | 3.14. François
Louis Schmied, page with geometric decorations, in Alfred de Vigny,
Daphné (Paris: Schmied, 1924). Reproduced by permission
of The Pierpont Morgan Library, New York, Bequest of Gordon N. Ray,
1987. |
 | 3.15. François
Louis Schmied, two facing pages with text and with vignettes depicting a
garden (on verso page of opening) and a running deer (on recto page), in
Le cantique des cantiques, translated by Ernest Renan (Paris:
Schmied, 1925). Reproduced by permission of The Pierpont Morgan
Library, New York, Bequest of Gordon N. Ray, 1987. |
| 3.16. François Louis Schmied, vignette depicting
King Solomon and a maiden, in Le cantique des cantiques,
translated by Ernest Renan (Paris: Schmied, 1925). |
 | 3.17. François
Louis Schmied, two facing pages with text and with vertical decorative
panels, in Le cantique des cantiques, translated by Ernest Renan
(Paris: Schmied, 1925). Reproduced by permission of The Pierpont
Morgan Library, New York, Bequest of Gordon N. Ray, 1987. |
 | 3.18. François
Louis Schmied, plate depicting the statue of the Happy Prince, in Oscar
Wilde, Deux contes, translated by Albert Savine (Paris: Schmied,
1926), p. xxi (first story). Reproduced by permission of The Pierpont
Morgan Library, New York, Bequest of Gordon N. Ray, 1987. |
 | 3.19. François
Louis Schmied, page of text with vignette band depicting a student and a
nightingale, in Oscar Wilde, Deux contes, translated by Albert
Savine (Paris: Schmied, 1926), p. xxv (second story). Reproduced from
the original in the Beinecke Rare Book and Manuscript Library, Yale
University. |
 | 3.20. François
Louis Schmied, plate depicting a stream in a woods, in Paul Fort, Les
ballades françaises, montagne, forêt, plaine, mer
(Lyon: Cercle Lyonnais du Livre, 1927). Reproduced from the original in
the Beinecke Rare Book and Manuscript Library, Yale University.
|
 | 3.21. François
Louis Schmied, vignette band depicting gulls over water, at the
beginning of the section entitled "Ballades de la mer, des golfes et des
ravages," in Paul Fort, Les ballades françaises, montagne,
forêt, plaine, mer (Lyon: Cercle Lyonnais du Livre, 1927).
Reproduced from the original in the Beinecke Rare Book and Manuscript
Library, Yale University. |
 | 3.22. François Louis
Schmied, plate depicting Nero, in Suetonius, Les douze césars,
translated by Joseph Estève (Paris: Schmied, 1928), opposite p.
ccxiii. Morgan A. Gunst Collection, Stanford University Library.
Reproduced by permission of the Department of Special Collections,
Stanford University Libraries. |
 | 3.23. François
Louis Schmied, page with text and with vignette depicting Princess
Boudour and Prince Kamaralzamân, colored by Jean Dunand, in
Histoire de la princesse Boudour, translated by J.-C. Mardrus
(Paris: Schmied, 1926). Reproduced from the original in the Beinecke
Rare Book and Manuscript Library, Yale University. |
 | 3.24. François
Louis Schmied, page with text and with vignette depicting two
supernatural figures, colored by Jean Dunand, in Histoire de la
princesse Boudour, translated by J.-C. Mardrus (Paris: Schmied,
1926). Reproduced from the original in the Beinecke Rare Book and
Manuscript Library, Yale University. |
 | 3.25. François
Louis Schmied, page of text with vignette panel depicting a harp,
colored by Jean Dunand, in Histoire de la princesse Boudour,
translated by J.-C. Mardrus (Paris: Schmied, 1926). Reproduced from
the original in the Beinecke Rare Book and Manuscript Library, Yale
University. |
 | 3.26. François
Louis Schmied, plate (right panel of a three-page foldout) depicting
Schmied in Arabian dress, colored by Jean Dunand, in Histoire
charmante de l'adolescente Sucre d'Amour: grand conte oriental
inédit, translated by J.-C. Mardrus (first edition; Paris:
Schmied, 1927). Reproduced from the original in the Beinecke Rare Book
and Manuscript Library, Yale University. |
 | 3.27. François
Louis Schmied, page of text with vignette depicting a garden against the
sky, colored by Jean Dunand, in Histoire charmante de l'adolescente
Sucre d'Amour: grand conte oriental inédit, translated by
J.-C. Mardrus (first edition; Paris: Schmied, 1927). Reproduced from
the original in the Beinecke Rare Book and Manuscript Library, Yale
University. |
 | 3.28. François
Louis Schmied, plate depicting Caliph Haroun Al-Raschid, in Histoire
charmante de l'adolescente Sucre d'Amour, translated by J.-C.
Mardrus (second edition; Paris: Schmied, 1927), frontispiece.
Reproduced from the original in the Beinecke Rare Book and Manuscript
Library, Yale University. |
 | 3.29. François
Louis Schmied, two facing pages of text with vignettes depicting a
moonlit garden (on verso page of opening) and a lotus flower (on recto
page), in Histoire charmante de l'adolescente Sucre d'Amour,
translated by J.-C. Mardrus (second edition; Paris: Schmied, 1927), pp.
132-133. Reproduced from the original in the Beinecke Rare Book and
Manuscript Library, Yale University. |
 | 3.30. François
Louis Schmied, plate depicting the creation of light, in La
création: les trois premiers livres de la Genèse suivis
de la généalogie adamique, translated by J.-C. Mardrus
(Paris: Schmied, 1928), plate 1. Reproduced by permission of The
Pierpont Morgan Library, New York, Bequest of Gordon N. Ray, 1987.
|
 | 3.31. François Louis
Schmied, plate depicting the voice of truth speaking as a lotus, in
J.-C. Mardrus, Livre de la vérité de parole (Paris:
Schmied, 1929), plate 7. Morgan A. Gunst Collection, Stanford
University Library. Reproduced by permission of the Department of
Special Collections, Stanford University Libraries. |
 | 3.32. François
Louis Schmied, page with text and with vignette depicting the wedding of
Ruth and Boaz, in Ruth et Booz, translated by J.-C. Mardrus
(Paris: Schmied, 1930). Morgan A. Gunst Collection, Stanford University
Library. Reproduced by permission of the Department of Special
Collections, Stanford University Libraries. |
