Samuel Taylor Coleridge
Love
- All thoughts, all passions, all
delights,
Whatever stirs this mortal frame,
All are but ministers of Love,
- And feed his sacred flame.
- Oft in my waking dreams do I
Live o'er again that happy hour,
When midway on the mount I lay,
- Beside the ruined tower.
- The moonshine, stealing o'er the scene
Had blended with the lights of eve ;
And she was there, my hope, my joy,
- My own dear Genevieve !
- She leant against the arméd man,
The statue of the arméd knight ;
She stood and listened to my lay,
- Amid the lingering light.
- Few sorrows hath she of her own,
My hope ! my joy ! my Genevieve !
She loves me best, whene'er I sing
- The songs that make her grieve.
- I played a soft and doleful air,
I sang an old and moving story--
An old rude song, that suited well
- That ruin wild and hoary.
- She listened with a flitting blush,
With downcast eyes and modest grace ;
For well she know, I could not choose
- But gaze upon her face.
- I told her of the Knight that wore
Upon his shield a burning brand ;
And that for ten long years he wooed
- The Lady of the Land.
- I told her how he pined : and ah !
The deep, the low, the pleading tone
With which I sang another's love,
- Interpreted my own.
- She listened with a flitting blush,
With downcast eyes, and modest grace ;
And she forgave me, that I gazed
- Too fondly on her face !
- But when I told the cruel scorn
That crazed that bold and lovely Knight,
And that he crossed the mountain-woods,
- Nor rested day nor night ;
- That sometimes from the savage den,
And sometimes from the darksome shade,
And sometimes starting up at once
- In green and sunny glade,--
- There came and looked him in the face
An angel beautiful and bright ;
And that he knew it was a Fiend,
- This miserable Knight !
- And that unknowing what he did,
He leaped amid a murderous band,
And saved from outrage worse than death
- The Lady of the Land !
- And how she wept, and clasped his
knees ;
And how she tended him in vain--
And ever strove to expiate
- The scorn that crazed his brain ;--
- And that she nursed him in a cave ;
And how his madness went away,
When on the yellow forest-leaves
- A dying man he lay ;--
- His dying words--but when I reached
That tenderest strain of all the ditty,
My faultering voice and pausing harp
- Disturbed her soul with pity !
- All impulses of soul and sense
Had thrilled my guileless Genevieve ;
The music and the doleful tale,
- The rich and balmy eve
;
- And hopes, and fears that kindle hope,
An undistinguishable throng,
And gentle wishes long subdued,
- Subdued and cherished long !
- She wept with pity and delight,
She blushed with love, and virgin-shame ;
And like the murmur of a dream,
- I heard her breathe my name.
- Her bosom heaved--she stepped
aside,
As conscious of my look she stepped--
The suddenly, with timorous eye
- She fled to me and wept.
- She half enclosed me with her arms,
She pressed me with a meek embrace ;
And bending back her head, looked up,
- And gazed upon my face.
- 'Twas partly love, and partly fear,
And partly 'twas a bashful art,
That I might rather feel, than see,
- The swelling of her heart.
- I calmed her fears, and she was calm,
And told her love with virgin pride ;
And so I won my Genevieve,
- My bright and beauteous Bride.
1799, published
1799, 1800, 1802, 1805, 1810, 1817, 1828, 1829, 1834
(proofed against E. H. Coleridge's 1927 edition of STC's poems
and a ca. 1898 edition of STC's Poetical Works, ``reprinted
from the early editions'')
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